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J.S. Bach
32. Befiehl du deine Wege, J.S. Bach, BWV 272.
SDG
0:55 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 16 0 5 5 100%
Treble 16 0 5 5 100%
Bass 22 0 7 6 100%
Bass 22 0 7 6 100%
Soprano/Alto Treble 16 0 5 5 100%
Tenor/Bass Bass 22 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
Minuet in G Minor, from Anna Magdalena Notebook
edlemjulve
1:48 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.
SDG
0:38 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 18 0 3 5 100%
Bass 18 0 3 5 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 18 0 3 5 100%
Contrabass Bass 15 0 2 5 50%
 
Ach Gott und Herr BWV692恩主保佑（馬拉巴禮拜歌）
doctorandrewtam
1:06 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 1 4 100%
Bass 13 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 1 4 100%
Bass 13 0 0 3 100%
 
338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Treble 12 0 1 4 100%
Bass 14 0 1 4 100%
Bass 14 0 1 4 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 14 0 1 4 100%
Contrabass Bass 9 0 1 3 50%